Review | The 2018 Oscar Nominated Short Films - Animated

The five nominees for Best Animated Short Film this year could not be more different. There's a tale of sports heroism, a twisted fairy tale, a photorealistic design showcase set around a mob hit, a poetic ode to a deceased father, and of course, a Pixar tear-jerker. Five films, five disparate points of view, and five accomplished visions; some abstract, some experimenting with light and form, and some just great stories. Here are the five nominees for the 2018 Academy Award for Best Animated Short Film:

Dear Basketball | Glen Keane | USA

Kobe Bryant may be a better basketball player than he is a poet, but there's something very moving about his deeply personal ode to the sport that became his life in Glen Keane's DEAR BASKETBALL. Featuring Bryant himself reading his short poem, set to a triumphant score by none other than the legendary John Williams, Dear Basketball recounts young Kobe's wide-eyed childhood, obsessing over his favorite sport, and dreaming of one day growing up to be a professional basketball player. A dream which, as we all know, he grew up to achieve. Even if you're not a big sports fan (I, for one, am not), it's hard not to feel a lump in one's throat witnessing the childlike glee with which Bryant talks about his love for basketball, a sport that has given him so much. It unfolds like a love poem, an ecstatic celebration of a dream fulfilled.

GRADE - ★★★ (out of four)

Garden Party | Florian Babikian, Vincent Bayoux, Victor Caire, Théophile Dufresne, Gabriel Grapperon and Lucas Navarro | France

I'm not sure I've ever seen an animated film as photorealistic as this. While it has no less than six credited directors, Garden Party doesn't really tell a story so much as showcase their incredible animation skills. Set in a house overrun with frogs and toads, the film follows their misadventures - looking for love, pigging out on leftovers - in their newfound home.

The film tells us little about why the house is abandoned, although it drops a few clues along the way (bullet holes in the glass, a phone off the hook, a surprise in the pool) that suggest a mob hit. But what makes it so wonderful is its stunning animation. It builds to an unexpected end, but the buildup is wonderfully disarming. It is a showcase of jaw-dropping animation that shows great promise for everyone involved.

GRADE - ★★★ (out of four)

Lou | Dave Mullins | USA

Items in a playground lost and found bin become sentient in Pixar's latest animated short, Lou, attached in theaters to Cars 3. The living items band together to stop a bully from stealing from other children on the playground. As as with most Pixar shorts, the film packs a lot of emotion into a short time frame, and while it isn't necessarily the emotional sucker punch that some of their finest shorts are, it's still a charming, anti-bullying PSA that manages to hit that sweet spot right between sweetness and sentimentality. It's the most emotionally incisive of the nominees, and the likely winner.

GRADE - ★★★½ (out of four)

Negative Space | Max Porter and Ru Kuwahata | France

Based on a poem by Ron Koertge, Negative Space follows a young man mourning the death of his father, a man who always away on business, remembering him through the meticulous way he used to pack his suitcase.

There's something particularly haunting and lonely about this idea, brought full circle in the film's elegiac coda. It all feels a bit incomplete, never quite matching the abstract thoughts with particularly interesting imagery. But the final moment really hits home. A lovely but somewhat empty rumination.

GRADE - ★★½ (out of four)

Revolting Rhymes | Jakob Schuh and Jan Lachauer | UK

The uncle of the Big Bad Wolves from the stories of the Three Little Pigs and Little Red Riding Hood reveals his tragic story to a woman in a diner, recounting a friendship between Snow White and Little Red, and a lifelong quest for revenge.

Based on a story by Roald Dahl, Revolting Rhymes is the latest animated short from the Oscar nominated filmmakers behind The Gruffalo and Room on the Broom. It's a delightfully twisted take on the classic fairy tales, underscoring their inherent violence and the untold ramifications of their plots. Captures Dahl's singularly wicked charm with a wink and a nod to the darkness that permeates our most beloved stories.

GRADE - ★★★ (out of four)

For a list of theaters showing this year's Oscar nominated short films, check out


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