Review | Mary and the Witch's Flower | 2017
It is fitting that Hiromasa Yonebayashi, who helmed Studio Ghibli's final film, When Marnie Was There, should also direct the inaugural feature of Studio Ponoc, the Japanese animation house that rose out of Ghibli's ashes. Mary and the Witch's Flower is an adaptation of Mary Stewart's "The Little Broomstick," about a young girl who discovers a magical flower in the forest that transports her into a world of witches and magic.
Mary and the Witch's Flower plays like a kind of "Ghibli's greatest hits," borrowing elements from Spirited Away, Kiki's Delivery Service, Castle in the Sky, and even Princess Mononoke, resulting in a film that never really establishes a personality of its own. On the one hand, it displays a disappointing lack of creativity for Studio Ponoc's debut feature. On the other hand, it shows they're playing it safe the first time out of the gate, sticking to tried and true story elements that have already been proven to work. That being said, it's an undeniably charming film, even if it's perhaps a bit overly familiar. It's a decently engaging adventure that hinges on the importance of embracing one's differences, and how the things we believe set us apart are often our greatest strengths.
It's unfortunate, then, that a film about embracing one's own unique qualities is so lacking in, well, uniqueness. It's a fine amalgamation of stronger films, but it's hard to escape the feeling that we've seen this all done before. Still, Takatsugu Muramatsu's score is gorgeous and bursting with energy, and the animation is often breathtaking. In the English dub, Kate Winslet and Jim Broadbent are clearly having a blast, and young Ruby Barnhill (The BFG) makes for a plucky heroine. It's a solid start for the fledging Studio Ponoc, and one can only hope that it leads to bigger and better things, opening doors to take greater chances in the future. It's an enjoyable film, to be sure, but it lacks that certain creative spark that made Ghibli films so special. Hopefully Ponoc learns from Ghibli rather than just rehashing their older films, and becomes a new creative force in Japanese animation, filling the giant shoes left empty by one of animation's most venerable institutions.
GRADE - ★★★ (out of four)
MARY AND THE WITCH'S FLOWER | Directed by Hiromasa Yonebayashi | Stars Ruby Barnhill, Kate Winslet, Jim Broadbent, Louis Ashbourne Serkis | Rated PG for some action and thematic elements | Opening in theaters nationwide on Jan. 18 for one night only via Fathom Events. Click here for ticket information.