Quick Review | Black Mother | 2019

Having now seen Khalik Allah's altogether extraordinary film, Black Mother, twice now; I can confidently say that it has left me at a complete loss for words.

It's a rare thing to be left speechless by a film. Even more so for someone who writes about film for a living; yet Black Mother is the kind of film that defies description, a work of such radical beauty that it nearly reshapes the entire cinematic experience in its own image. Part documentary, part travelogue, part poem, Black Mother is a deeply personal tribute to Jamaica (the ancestral home of Allah's mother) and to the black experience, specifically the black women who actually birthed a nation.

Allah examines the effects of religion on the tiny island nation, both as a symptom of colonialism and a reaction to it, as Christianity and Rastafarianism blend together into something beautiful and unique. Allah, a renowned photographer, captures snippets of island life and blends them together into a singularly breathtaking. There are films that move you, there are films that shake you, and then there's Black Mother - a transcendental meditation on life, love, and black identity that takes the mundane and makes it feel miraculous.

GRADE - ★★★★ (out of four)


BLACK MOTHER | Directed by Khalik Allah | Not ratedNow playing in select theaters.

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