"In Turin on 3rd January, 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert. Not far from him, the driver of a hansom cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene, throwing his arms around the horse’s neck, sobbing.
His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words, and lives for another ten years, silent and demented, cared for by his mother and sisters. We do not know what happened to the horse."
So begins Béla Tarr's The Turin Horse, a grim, utterly mesmerizing film purported to be the director's last. These words, read over a black screen by an unseen narrator, set the stage for the film to come. This fateful encounter with Nietzsche is the catalyst for the sparse and austere narrative to follow, which reveals itself slowly and carefully in a way that only Tarr can do.
|Erika Bók (Ohlsdorfer's daughter) in "The Turin Horse." |
Courtesy of Cinema Guild.
Tarr shoots with long, languid takes that often linger minutes longer than you feel like they should. But the effect is intoxicating. Never has the simple act of cooking potatoes been so wholly entrancing. Tarr takes these seemingly commonplace acts and turns them into a kind of poetry of the mundane. There is little dialogue in the film. Tarr simply allows the camera to observe, unblinking, sometimes for minutes on end, often accompanied by composer Mihaly Vig's haunting, Phillip Glass-like score. He immerses us in these people's lives, and their impending doom, creating both an atmosphere of apprehension and mystery. What does the future hold? What lies beyond the windswept plains? Are they all alone in this blustery world? Or are they hurtling toward an inevitable, inescapable fate?
Those who are familiar with Tarr's previous work probably know what to expect from The Turin Horse. It will be an admittedly tough slog for a vast majority of audiences, but for those with the patience, the rewards are boundless. The Turin Horse feels like a profound literary work, which is ironic since there is hardly a word spoken for its entire running time. Tarr's work has always begged comparisons to Andrei Tarkovsky, but never has the comparison felt as apt as it does here. It recalls Tarkovsky's apocalyptic The Sacrifice in its evocation of impending doom as an avenue for deeper, existential questions. But don't expect the answers to reveal themselves easily. With little dialogue to help the audience along, Tarr demands more of his audience than most directors. It is a film that must be mulled over, meditated upon, and combed through. It requires mental participation to truly appreciate, which is perhaps one of its greatest achievements. This is a film for the heart and the mind, a film of feelings and ideas.
|Mihály Kormos (Bernhard) in "The Turin Horse." |
Courtesy of Cinema Guild.
BLU-RAY ADDENDUM - Like the film it showcases, the Cinema Guild's blu-ray release of The Turin Horse is breathtaking. For those who have already experienced Tarr's masterwork, revisiting it in high definition will be a real treat, and it's nearly impossible not to become lost in its peculiar reality all over again, especially with the crisp black and white cinematography on full display. Those coming to the film for the first time are likewise in for something special. While I love the special features on The Strange Case of Angelica, The Turin Horse may be the most beautiful blu-ray the company has released.
Tarr himself gets a lot of face time on the supplements, which include a press conference with the movers and shakers behind the film as well as an exclusive 80 minute chat with Tarr available only on the blu-ray. The centerpiece supplement, however, is Tarr's 1978 short film, Hotel Magnezit. Telling the story of an old man being evicted from a hostel, and the subsequent blame game played by his fellow boarders, Hotel Magnezit is an interesting early indicator of Tarr's keen sense of shifting emotional undercurrents. The film itself looks like it was transferred from a VHS, which is a shame considering how gorgeous The Turin Horse is, but it's unlikely that a better quality copy was available for transfer. It's a minor squabble in an otherwise stellar package, because the year's best film has been given the blu-ray treatment it so richly deserves. It is a narrative that must be wholly surrendered to, and this stunning transfer makes the journey all the more fulfilling.
GRADE - ★★★★ (out of four)
THE TURIN HORSE | Directed by Béla Tarr | Stars Janos Derzsi, Erika Bok, Mihaly Kormos | Not rated | In Hungarian with English subtitles | Now available on blu-ray and DVD from the Cinema Guild.